KARE (thekare.app) is a social diary for people who love the moving image. Members log the films, series episodes and anime they watch in one diary, rate them in half stars, write reviews, keep the stills that stayed with them as KAREs, plan marathons with friends and argue over The KARE 1000, a canon of a thousand films built from critics' all-time lists. Cinemas, festivals, film clubs and podcasts join as verified HQs to share their programmes. KARE is free, independent and built by one developer in Türkiye. It all starts with the kare.
Türkçe
KARE (thekare.app), izlediğin her şeyin — film, dizi bölümü, anime — tek bir günlükte toplandığı sosyal bir sinefil platformu. Üyeler izlediklerini yarım yıldızla puanlıyor, yorum yazıyor, akıllarında kalan kareleri KAREs olarak saklıyor, arkadaşlarıyla maraton kuruyor ve eleştirmenlerin tüm zamanların listelerinden derlenen bin filmlik kanon KARE 1000'i tartışıyor. Sinemalar, festivaller, sinema kulüpleri ve podcast'ler doğrulanmış HQ hesaplarıyla programlarını paylaşıyor. KARE ücretsiz, bağımsız ve Türkiye'de tek bir geliştirici tarafından yapılıyor. Her şey bir kareyle başlar.
In numbers
Live, as of 28 September 2026
Members
2
Diary entries
972
Reviews
7
Public lists
91
HQs
2
KAREs posted
1
2 of 1,000 Founding Cinephile spots and 2 of 25 Founding HQ spots are taken.
The story
KARE is made by one person: a cinephile and developer in Türkiye who kept three apps for three kinds of watching — one for films, one for series, one for anime — and wanted a single diary that treated all of them with the same care.
“Kare” is Turkish for a frame — the single image on a strip of film — and for a square, like a photo. The whole product grows from that: a diary entry is a frame of your life in film, and a KARE is the still that stayed with you.
KARE is independent. KARE Pro, an optional subscription, keeps it running, and the roadmap comes from the members and from the HQs — cinemas, festivals, clubs and podcasts — who bring their audiences with them.
The KARE 1000 is built from published all-time lists by critics and film institutions. Each film scores by how many of those lists include it and how high; ties go to the film named by more independent sources. The top 1,000 form the canon, ranked, as an official list anyone can like, clone or marathon.
It is meant to be argued with. Every week ten films from the canon go up for a public keep-or-cut vote, and members nominate the films they think are missing. The canon is re-run when its sources change.